Born in Mardin in 1989, Ömer Mirdemir graduated from the Department of Painting at the Faculty of Fine Arts, Dokuz Eylül University, in 2015. He previously studied Physics at Dicle University and Anesthesia at Kafkas University. In 2017, he began his graduate studies in the Painting Department at the Faculty of Fine Arts, Muğla Sıtkı Koçman University. The artist continues his practice in his studio in Mardin and has participated in group and solo exhibitions both in Türkiye and abroad.
Ömer Mirdemir’s work explores the individual through geometric forms, taking shape around the concepts of symmetry, repetition, and order. Investigating the relationship between center and periphery through the use of color, light, and space, the artist constructs each unit as part of a whole. Drawing on the tradition of assemblage, his works establish a relationship between mathematical order and perceptual and symbolic space. In Mirdemir’s practice, color and light are not merely formal elements, but fundamental components that shape the narrative of his works.
Ömer Mirdemir | Mixed Media on Canvas
70 x 50 cm
Born in Mardin in 1989, Ömer Mirdemir graduated from the Department of Painting at the Faculty of Fine Arts, Dokuz Eylül University, in 2015. He previously studied Physics at Dicle University and Anesthesia at Kafkas University. In 2017, he began his graduate studies in the Painting Department at the Faculty of Fine Arts, Muğla Sıtkı Koçman University. The artist continues his practice in his studio in Mardin and has participated in group and solo exhibitions both in Türkiye and abroad.
Ömer Mirdemir’s work explores the individual through geometric forms, taking shape around the concepts of symmetry, repetition, and order. Investigating the relationship between center and periphery through the use of color, light, and space, the artist constructs each unit as part of a whole. Drawing on the tradition of assemblage, his works establish a relationship between mathematical order and perceptual and symbolic space. In Mirdemir’s practice, color and light are not merely formal elements, but fundamental components that shape the narrative of his works.
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