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Lot 24 – Sanki Buradaymışsınız Gibi

About The Artwork

2022

About The Artist

Biography

İsmet Doğan was born in Adıyaman in 1957. He graduated from Marmara University, Faculty of Fine Arts in 1983. In 1987, he spent two years in Paris with a scholarship from the French Government. In the early stages of his career, he was influenced by Dadaism, producing collages, graffiti, and assemblages.

Artistic Approach

Doğan’s practice engages in a critical inquiry into culture, tradition, and history. He reflects on the violence and trauma embedded in Turkey’s Westernization and modernization processes, incorporating Latin letters into his work to highlight the language reform as a tool of social engineering. Since the 1990s, he has focused on installation art, intervening in visual norms to create new meanings. In the 2000s, he integrated critiques of colonialism into his art, using film strips and mirrors as key materials—confronting viewers with both his own image and the alienation of the body.

Exhibitions & Fairs

  • 1980s – Group exhibitions featuring collages, graffiti, and assemblages influenced by Dadaism
  • 1990s – Installation-focused exhibitions following his return to Istanbul
  • 2000s – National and international fairs and projects critiquing Western visual culture and colonialism

LOT 24

Sanki Buradaymışsınız Gibi

İsmet Doğan | Handmade Mirror

90 x 60 x 14 cm

Opening Price
115.000 TL
Bid increment
10.000 TL
Current bid
No bids yet
Minimum bid: 115.000 TL
Current Market Value: 250.000 – 270.000 TL

A 15% buyer's premium will be added to the final hammer price, and 20% VAT will be added to the resulting amount.

Opening Price
115.000 TL
+ 15% buyer's premium
17.250 TL
+ 20% VAT
26.450 TL
Total payable
158.700 TL

Questions? +90 (531) 395 25 44 · info@artopol.com

About The Artwork

2022

About The Artist

Biography

İsmet Doğan was born in Adıyaman in 1957. He graduated from Marmara University, Faculty of Fine Arts in 1983. In 1987, he spent two years in Paris with a scholarship from the French Government. In the early stages of his career, he was influenced by Dadaism, producing collages, graffiti, and assemblages.

Artistic Approach

Doğan’s practice engages in a critical inquiry into culture, tradition, and history. He reflects on the violence and trauma embedded in Turkey’s Westernization and modernization processes, incorporating Latin letters into his work to highlight the language reform as a tool of social engineering. Since the 1990s, he has focused on installation art, intervening in visual norms to create new meanings. In the 2000s, he integrated critiques of colonialism into his art, using film strips and mirrors as key materials—confronting viewers with both his own image and the alienation of the body.

Exhibitions & Fairs

  • 1980s – Group exhibitions featuring collages, graffiti, and assemblages influenced by Dadaism
  • 1990s – Installation-focused exhibitions following his return to Istanbul
  • 2000s – National and international fairs and projects critiquing Western visual culture and colonialism

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